Toward the end of his two-hour set Tuesday night, Father John Misty hosted a mini Q&A session with more than 1,000 fans at Royal Oak Music Theatre in Royal Oak, Mich.
He took one question from a woman crammed in the pit with other fans near the stage. She shouted, “How did you first get into doing this?”
Father John Misty paused for a moment and then answered matter-of-factly: “I started doing this because I was not good at anything else.”
His answer resonated with fans because it was honest and authentic. Unlike other artists, Father John Misty, a.k.a. Josh Tillman, is known for being real and direct.
With a sardonic sense of humor, Father John Misty provides colorful commentary about life, politics, human connection and music through his latest album, “Pure Comedy.” I can’t help but laugh every time he gives a serious answer behind his sarcastic grin. His musings are just as entertaining as his indie folk rock.
Father John Misty continued to share his unconventional career path with fans: “I started as a dishwasher and then donated plasma for a long time, became estranged from my parents, played drums for a bunch of bands and then started taking psychedelic drugs, stopped doing psychedelic drugs, bought some really tight pants, so if you follow those steps in that order …”
Surrounded by thick smoke and neon lights, Sylvan Esso’s pulsating beats electrified a sold-out crowd at The Crofoot Sunday night in Pontiac, Mich.
The Durham, N.C. indie synthpop duo played a 75-minute danceable set featuring 16 songs from their 2014 eponymous self-titled debut and their latest album, “What Now.”
After opening with “Sound,” Nick Sanborn addressed the duo’s overdue stop in the Detroit area.
“Sometimes, when you’re in a band this thing happens where you put up any dates at all, and then inevitably, someone is like, ‘Come to Brazil,’ and you’re like, ‘It’s so hard to go to Brazil,’ so it’s a common band thing,” he said. “And the one place every time somebody says ‘Come to Detroit,’ you guys are like the only ones that get to complain. We’re so sorry, this has been a long time coming.”
It was time to leave, but something kept me there.
I turned around to catch a final glimpse of Mick Fleetwood. He saw me, smiled and blurted out, “Lindsey and Christine are going to tour this year. You should go see them!”
“I will!” I said. My emphatic response was my way of promising Fleetwood.
Fleetwood shared the perfect parting words as Brian and I left the reception room at the Hilton Austin Hotel on March 15. We had traveled to Austin to see Fleetwood discuss his upcoming book, “Love That Burns – A Chronicle of Fleetwood Mac,” at SXSW.
After the session, we attended a private reception hosted by Genesis Publications to meet Fleetwood and receive his autograph. It was a true honor to meet one of my five musical heroes.
Fleetwood’s comments were in reference to a recent announcement about Lindsey Buckingham and Christine McVie teaming up for a new album and tour as a duo.
I left the room smiling because my musical hero had ended the conversation on the right note — encouraging me to see the other members of Fleetwood Mac in concert was utterly perfect. For years, it felt like I had known Fleetwood. In that final moment, it felt like he knew me.
Four months later, I was ready to attend not one, but two Buckingham McVie shows – July 2 at Detroit’s Fox Theatre and July 6 at Soaring Eagle Casino and Resort in Mount Pleasant, Mich.
Phil Collins calmly hobbled on stage amidst a chorus of welcoming cheers from 5,200 ecstatic fans at London’s Royal Albert Hall.
The former Genesis frontman and Grammy-winning pop balladeer performed his third sold-out “Not Dead Yet Live” show at the iconic 146-year-old concert hall on June 7.
Collins kicked off the 2.5-hour show with the No. 1 power ballad “Against All Odds” from 1984. Fans erupted with thunderous applause and a collective call of joy in response to the Collins classic.
“I know I said that I wouldn’t do this again, but the truth is that I missed you,” he said. “You won’t be seeing too much dancing from me tonight. Thank God! I had a back operation, leg’s f**ked, but we’re here, right?”
A new talent and events agency is powering up Detroit’s arts and entertainment scene.
Known as POWER Events | Entertainment, the Detroit-based agency hosted a launch party April 20 at CLUBHAUS Detroit to showcase emerging music, modeling, acting and athletic talent in the Motor City.
About 200 guests attended the launch party hosted by POWER co-owners Donna Kassab and Kelly Adolph and watched a fashion show featuring models wearing casual, modern styles with a bohemian flair from UnitedFront. Draped in hues of gold, cream and light blue, models sashayed down the runway to dance and hip-hop tunes spun by Detroit-based DJ Kobra Kinney.
“We received positive feedback about our plans to bring more events and entertainment to the city,” Kassab said. “I kept hearing, ‘thank you, this is so fun.’ There was a lot of excitement in the room.”
Local Natives know how to properly channel the primal energy of Fleetwood’s Mac “Tusk.”
The Los Angeles-based indie rock band recently covered “Tusk” as part of Spotify’s “Music Happens Here” video series, which highlights how “local culture has inspired music throughout history” and kicks off with an inaugural 26-minute episode about Los Angeles.
“To say Fleetwood Mac has a huge influence on our music is a bit of an understatement,” the band wrote March 21 on their Facebook page. “As part of a new Spotify series called Music Happens Here, we covered Tusk in the same room, same studio as Fleetwood Mac covered it.”
I was elated the moment I read those words on Local Natives’ Facebook page. If you’re a Fleetwood Mac fan, then it’s not stretch to like Local Natives’ music, which features lush harmonies, adventurous percussion and multiple singer-songwriters.