Kesha’s latest album cover for “Rainbow” is reminiscent of ‘70s prog rock artwork.
The bejeweled flying saucers, pink-tinged planets and Kesha’s naked backside are quintessential images for a modern-day interpretation of a prog rock-inspired album cover for a pop singer-songwriter.
That’s what I love about Kesha. She takes a cool album art concept from the past and reimagines it for the present. It’s her vision for what truly lies on the other side of the rainbow.
Her colorful album cover nicely houses 14 raw, transformational songs that fall inside and out of the typical pop spectrum with rock and country influences.
Kesha performed 10 of her album gems – including “Learn to Let Go,” “Hymn,” “Godzilla,” “Bastards” (my favorite) and others – from “Rainbow” during a sold-out show at The Fillmore Detroit on Sunday.
Tons of fans (both male and female) dressed in colorful tops, dresses, leggings and tutus and drenched in glitter lined up in downtown Detroit to see their “Rainbow” hero. I don’t think I’ve ever seen so much glitter in one place.
The first time I saw Phoenix live was during a snowstorm in December 2009 at the now defunct Clutch Cargo’s club in Pontiac, Mich.
Thomas Mars and his three bandmates – Deck d’Arcy, Laurent Brancowitz and Christian Mazzalai – captivated the sold-out crowd with songs from their 2009 smash, “Wolfgang Amadeus Phoenix,” and officially established their reputation as a must-see live act.
They also reigned supreme as a coveted festival act with memorable appearances at Bonnaroo, Coachella and Lollapalooza in 2009 and 2010.
By 2013, they had played the Eastern Michigan University Convocation Center for their “Bankrupt!” tour, which didn’t feel like the right venue for the French indie pop band. Their sound and stage presence is much better suited for mid-size theater (2,000 or less) rather than a mini arena (9,500).
Last week, Phoenix recaptured the same magic of the “Wolfgang Amadeus Phoenix” tour at The Fillmore in Detroit on Oct. 11 while promoting their latest album, “Ti Amo.”
I have to admit Phoenix’s performance was by far one of their best I’ve seen in years. Here are the five best parts I took away from last week’s show:
Toward the end of his two-hour set Tuesday night, Father John Misty hosted a mini Q&A session with more than 1,000 fans at Royal Oak Music Theatre in Royal Oak, Mich.
He took one question from a woman crammed in the pit with other fans near the stage. She shouted, “How did you first get into doing this?”
Father John Misty paused for a moment and then answered matter-of-factly: “I started doing this because I was not good at anything else.”
His answer resonated with fans because it was honest and authentic. Unlike other artists, Father John Misty, a.k.a. Josh Tillman, is known for being real and direct.
With a sardonic sense of humor, Father John Misty provides colorful commentary about life, politics, human connection and music through his latest album, “Pure Comedy.” I can’t help but laugh every time he gives a serious answer behind his sarcastic grin. His musings are just as entertaining as his indie folk rock.
Father John Misty continued to share his unconventional career path with fans: “I started as a dishwasher and then donated plasma for a long time, became estranged from my parents, played drums for a bunch of bands and then started taking psychedelic drugs, stopped doing psychedelic drugs, bought some really tight pants, so if you follow those steps in that order …”
Surrounded by thick smoke and neon lights, Sylvan Esso’s pulsating beats electrified a sold-out crowd at The Crofoot Sunday night in Pontiac, Mich.
The Durham, N.C. indie synthpop duo played a 75-minute danceable set featuring 16 songs from their 2014 eponymous self-titled debut and their latest album, “What Now.”
After opening with “Sound,” Nick Sanborn addressed the duo’s overdue stop in the Detroit area.
“Sometimes, when you’re in a band this thing happens where you put up any dates at all, and then inevitably, someone is like, ‘Come to Brazil,’ and you’re like, ‘It’s so hard to go to Brazil,’ so it’s a common band thing,” he said. “And the one place every time somebody says ‘Come to Detroit,’ you guys are like the only ones that get to complain. We’re so sorry, this has been a long time coming.”
It was time to leave, but something kept me there.
I turned around to catch a final glimpse of Mick Fleetwood. He saw me, smiled and blurted out, “Lindsey and Christine are going to tour this year. You should go see them!”
“I will!” I said. My emphatic response was my way of promising Fleetwood.
Fleetwood shared the perfect parting words as Brian and I left the reception room at the Hilton Austin Hotel on March 15. We had traveled to Austin to see Fleetwood discuss his upcoming book, “Love That Burns – A Chronicle of Fleetwood Mac,” at SXSW.
After the session, we attended a private reception hosted by Genesis Publications to meet Fleetwood and receive his autograph. It was a true honor to meet one of my five musical heroes.
Fleetwood’s comments were in reference to a recent announcement about Lindsey Buckingham and Christine McVie teaming up for a new album and tour as a duo.
I left the room smiling because my musical hero had ended the conversation on the right note — encouraging me to see the other members of Fleetwood Mac in concert was utterly perfect. For years, it felt like I had known Fleetwood. In that final moment, it felt like he knew me.
Four months later, I was ready to attend not one, but two Buckingham McVie shows – July 2 at Detroit’s Fox Theatre and July 6 at Soaring Eagle Casino and Resort in Mount Pleasant, Mich.
Phil Collins calmly hobbled on stage amidst a chorus of welcoming cheers from 5,200 ecstatic fans at London’s Royal Albert Hall.
The former Genesis frontman and Grammy-winning pop balladeer performed his third sold-out “Not Dead Yet Live” show at the iconic 146-year-old concert hall on June 7.
Collins kicked off the 2.5-hour show with the No. 1 power ballad “Against All Odds” from 1984. Fans erupted with thunderous applause and a collective call of joy in response to the Collins classic.
“I know I said that I wouldn’t do this again, but the truth is that I missed you,” he said. “You won’t be seeing too much dancing from me tonight. Thank God! I had a back operation, leg’s f**ked, but we’re here, right?”